Artist Profile
Kevin Mosca
Kevin Mosca (b.1993 in Albany, NY) received his Bachelor Of Fine Arts from Maine College of Art. He currently lives and works in upstate New York with his wife Megan Mosca and dog Geezer. Mosca's work has been shown in group exhibitions at galleries including CFCP Gallery, The Magenta Suite, and Grant Wahlquist Gallery.
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Education
2018 Bachelor of Fine Arts in Painting, Maine College of Art (MECA)
2016 The Art Institute of Chicago
2014 Associate's Degree in Fine Art, Hudson Valley Community College
Awards
2016- 2017 Nancy Stewart Deming Scholar for Excellence in Painting, Maine College of Art
Solo Exhibitions
2022 No One’s Home, Rom Shop, Albany New York
2016 New Gods, Superior Merchandise Company, Troy New York
Two Person Exhibitions
2021 Exhibition 9, Second Street Studios, Troy New York
Group Exhibitions
2021 Forbidden Fruit, Piano Craft Gallery, Boston, Massachusetts
2021 Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn New York
2019 Tin Ceilings and Other Specifics, The Magenta Suite, Exeter, New Hampshire
2019 People who work there, CFCP Gallery X David Zwirner Gallery, Brooklyn New York
2019 David Zwirner Online Viewing room, New York, New York
2018 The Murdered Word 3, EMP Collective, Baltimore Maryland
2018 alter-Ego, Grant Wahlquist Gallery, Portland Maine
2017 Maine College of Art BFA Show - Collective Actions 2 at The Institute of Contemporary Art, MECA
2017 Blú Blew Blü, Thomas Knight Park, Portland Maine
2014 Juried Student Art Exhibit at Hudson Valley Community College
2014 Ramen Noodle Diet: A Benefit Show, Albany Center Gallery
2013 Juried Student Art Exhibit at Hudson Valley Community College
Publications
2021 Artmaze magazine, edition 22
Artist Statement
Kevin Mosca’s work records his own experiences, with past memories, and present day phenomena to record narratives that walk the line between biographical and fictional. Symbols, and pictorial devices from the biblical texts, and the horror film genre are interwoven throughout Mosca’s paintings to create narratives that bridge the gap between theology and pop culture. Together a fabricated reality is depicted through the painting's illusion of space creating a place for theological horror to breed.
Headshot credit: Charles Dyer