Lara Saget

Artist Profile

Lara Saget

Lara Saget lives and works in New York, NY. She received her BA from Barnard College, Columbia University and her MFA in Fine Arts from New York University. Her work has been exhibited in the US and abroad in varied spaces including Bellevue Arts Museum, Bellevue, Washington; Art Ichol, Maihar, India; Fortnight Institute, New York, NY; 80 Washington Square East Gallery, New York, NY; Studio 106, Los Angeles, CA; Wells Studio, Paris, France; Peninsula Art Space, Brooklyn, NY; Art Helix, Brooklyn, NY, and more. Residencies include Yucca Valley Material Lab, Yucca Valley, CA; Iris Projects, Venice, CA; Art Ichol Bronze Casting and Stone Carving Residency, Maihar, India; and CCA with Grzegorz Kowalski and Artur Żmijewski, Warsaw, Poland. She has received grants and awards including the 2017 New York University MFA Artistic Practice Award, the 2016 Steinhardt Scholarship Award, the 2017/18 Urban Glass Scholarship Award, and the Tg: Transitions in Kiln-Glass Emerging Artist Award.

Public projects include Art Ichol, Maihar, India; Native Woodland Garden Public Art Project, Schwartz Plaza, Washington Square Park, New York, NY; Collaborative Concepts, Saunders Farm, Garrison, NY; Collaborative Concepts, Tilly Foster Farm, Putnam County, NY, and Art in the Parks, NYC Parks, Clumber Corner, Brooklyn, NY.

CV

​b. 1989
Lives and works in Brooklyn, NY

Education

2018   MFA New York University, New York, NY
2012   BA Barnard College, Columbia University, New York, NY

Selected Public Sculptures

2021   Public Sculpture for NYC Parks, Clumber Corner, Brooklyn, NY
2020   Public Sculpture, Brooklyn Bridge Park, Brooklyn, NY
2020   Public Sculpture, Art Ichol, Maihar, India
2020   Public Sculpture, Collaborative Concepts, Tilly Foster Farm, Putnam County, NY
2019   Native Woodland Garden- Public Sculpture, Schwartz Plaza, Washington Square Park, New York, NY
2018   Public Sculpture, Collaborative Concepts, Saunders Farm, Garrison, NY
2014   Public Project, BFC Presents What’s Next, Brooklyn, NY

Selected Exhibitions

2022   Tg: Transitions in Kiln-Glass, Bellevue Arts Museum, Bellevue, Washington
2021   Breathe, Gallery of the Faculty of Arts, Pristina, Kosovo
2021   The Breathing Project, The Living Gallery, Brooklyn, NY
2021   Venice International Art Fair, THE ROOM Contemporary Art Space, Palazzo Albrizzi-Capello, Venice, Italy
2020   The Red Wood, The Red Wood, San Francisco, CA
2020   Weeds, New York University Alumni Show, New York, NY
2020   Imaginary Timeline, Studio 200 NYC, New York, NY
2020   Dissolving Artifacts, 10 Jay St, Brooklyn, NY
2019   late summer, 242 Elizabeth St, New York, NY
2019   Collaborative Concepts, Saunders Farm, Garrison, NY
2019   The Garden of Cyrus, Fortnight Institute, New York, NY
2019   Power Trip, Villain, Brooklyn, NY
2018   Collaborative Concepts, Saunders Farm, Garrison, NY
2018   AntiFurniture Store, Fortnight Institute, New York, NY
2018   MFA Thesis Exhibition Part II, 80 WSE, New York, NY
2017   VHF, Art Helix, Brooklyn, NY
2017   Surface Down, 80 WSE, New York, NY
2017   NYU First Year Show, 80 WSE, New York, NY
2017   In medias res, 80 WSE, New York, NY
2016   Unsafe Colors: An Exhibition for Women by Women, Studio 106, Los Angeles, CA
2016   residues, McCagg Gallery, New York, NY
2016   Meserole Street Block Party, Art Helix, Brooklyn, NY
2015   Select Art Fair, Center 548, New York, NY
2015   NextGen, 800 Main, Los Angeles, CA
2015   Inter-change, Fairmont Miramar, Los Angeles, CA
2014   Lucid Gestures, McCagg Gallery, New York, NY
2014   Wish You Were Here 13, A.I.R. Gallery, Brooklyn, NY
2014   R E T R O S P E C T, RePopRoom, New York, NY
2014   Seeking Space, The Active Space, Brooklyn, NY
2014   Call for Bushwick 2014: The Extensions of Human Being, Brooklyn, NY
2014   BFC Presents What’s Next, Brooklyn, NY
2014   CLIO Art Fair, New York, NY
2014   Es Sense, Yoga to the People, New York, NY
2013   Into the Monochrome, No Empty Square, Peninsula Art Space, Brooklyn, NY
2013   Hybrid: Performance Art Showcase, Brooklyn Fire Proof, Brooklyn, NY
2013   The Beginning of A New Era, 56 Bogart Street, Brooklyn, NY
2013   Girls, C.C.C.P, Brooklyn, NY
2012   Wish You Were Here, 11 A.I.R. Gallery, Brooklyn, NY
2012   Room 809, Comfort Inn, New York, NY
2012   Sweet Fuckups and Happy Accidents, Shoestring Press, Brooklyn, NY
2012   If It’s Not Over: A Collection of Work Created in the Year 2012, McCagg Gallery, New York, NY
2011   Group Show, Barbara Novak Gallery, New York, NY
2011   Group Show, McCagg Gallery, New York, NY
2011   Vitriol, Postcrypt Gallery, New York, NY
2011   Vernissage, Wells Studio, Belleville, Paris, France
2009   Asperger Benefit on the Bowery, Bowery Hotel, New York, NY
2008   Group Show, Sam Francis Gallery, Los Angeles, CA

Residencies and Awards

2022   Tg: Transitions in Kiln-Glass Emerging Artist Award
2021   Residency, Yucca Valley Material Lab, Yucca Valley, CA
2021   Residency, Iris Projects, Venice, CA
2020   Residency, Art Ichol, Maihar India
2018   Urban Glass Scholarship Award
2017   New York University MFA Artistic Practice Award
2017   Urban Glass Scholarship Award
2016   Steinhardt MFA Scholarship Award
2014   Creating Through Collaboration, with Grzegorz Kowalski and Artur Żmijewski, Warsaw, Poland


Artist Statement:

My work makes materially visible the limitations of logic. My practice is fueled by the belief that not all facts are absolute.

I start with rock and historic sourced Tuckahoe marble, potently compressed matter. I don’t know where the matter has been or who has held it before me. I trap rock and historic sourced Tuckahoe marble in glass and metal. Logically, the heat of the rock and the marble crack the glass; however, I have found that this is not always the case. When heated to the same degree, the materials co-habitate. The separation between them is circumstantial, temporary, everything material is temporary. I encase found cremated sea life in glass, serving to memorialize the life inside, each form of life makes a distinct pattern inside the molten glass.

There may be no answers, nothing concrete to hold onto. But there are patterns; my charge is to distill the patterns in order to reveal new archetypes and, in doing so, crystallize the transience of certainty.